ILIANA BOZHANOVA

Bulgarian Folk Dances & Choreography

Iliana Hristova Bozhanova was born in 1961 in Galabovo, in the Stara Zagora region of Bulgaria. She grew up in a family of musicians and singers in South Thrace. In 1981, she graduated from the National School for Art Instructors in Plovdiv. She completed her Bachelor’s and Master’s degrees in "Bulgarian Folk Dances and Choreography" at the Academy of Music, Dance and Fine Arts in Plovdiv, the oldest folk arts academy in the Balkans and the most acclaimed in Bulgaria.  

At the age of fifteen, Iliana became a member of the folk dance Ensemble Rachenitsa in Plovdiv.Her experiences with the Ensemble, under Artistic Director Dimitar Doichinov, inspired Iliana to devote the major part of her life to Bulgarian folklore. Through theensemble she had the opportunity to perform Bulgarian folk dances in other parts of Bulgaria, as well as in Greece, Serbia, Poland, Belgium, Portugal, France, Italy, Holland, and Russia. She met many wonderful people through this group, and it was here that she took her first steps as a dance teacher.

In 1981, Iliana became choreographer and artistic director of two children's folk dance ensembles – Ensemble Radost in the village of Yoakim Gruevo, and the Children’s Ensemble of the Roza Dimitrova Orphanage in Plovdiv. She created her first dance choreographies for these children and also introduced both groups at the Festival for Amateur Folk Art in Plovdiv. 

Since October of 2004, Iliana has been the director and choreographer of Ensemble Voivodintsi which is comprised of 4 dance groups, 3 of children and 1 of adults, 2 singing groups - man and woman.

Iliana has been invited to serve as Dance Coordinator for the Folk Seminar  to be held at the Academy of Music, Dance and Fine Arts in Plovdiv this July. She will also teach a new class, a Survey of Bulgarian Folk Dance, during the Seminar.

Besides her work as a dance teacher and choreographer, Iliana has worked as a technician of architecture and civil engineering. She is married and has two sons. 

Iliana’s Work as a Choreographer

Since 1995, Iliana has worked with the Bosilek Bulgarian Folk Dance Ensemble. At the invitation of Cathie Springer, the group’s artistic director, Iliana has created 14 choreographies for Bosilek, using folk dance and ritual elements from regions all over Bulgaria. The choreographies are: Enyovden, Pirinska miluvka, Babini unuki, Haide bulki na pazar, Shopski tantsi, Varnenski tants, Maimari, Byalo, zeleno, cherveno, Peperuda v Dobrudzha, Na firuglitsa, Trakiiki, Kokonitsi, Gabrovski ritmi, Oro se vie. Iliana is appreciative of the opportunity Bosilek has given her to create these choreographies and share the wonderful richness of Bulgarian folklore, and for "opening the door to the world," as she began her international teaching career. 

Iliana has also worked as a choreographer forEnsemble Zarove in Najmegen, Holland, since 1995. The artistic director of this wonderful children's group is Esther Willems. Iliana has created several suites for them - Trakiiski ritmi, Detsata na Pirin, Dobrudzhancheta, and Krivo horo. 

In June 2004, Iliana was invited to create a Bulgarian dance choreography for Het Internationaal Danstheater in Amsterdam, with artistic director Maurits van Geel. Her choreography, S pozdrav ot Bulgaria, was part of their big dance performance, "Finale 10,000 Volt." This is the only professional international folk dance theater in Holland, and Iliana was honored to have been chosen to work with their dancers, musicians and faculty.

Choreographies for other folk dance ensembles include:

 Dance Teaching & Lectures

United States of America:

Iliana is well known as a Bulgarian folk dance teacher by dozens of folk dance groups in many areas of the U.S., including New York, Washington DC, Maryland, Massachusetts, Connecticut, Ohio, California, Oregon, Utah, Washington, New Mexico, Pennsylvania, and Vermont. She has also taught at folk dance camps ranging from weekend to 2-week-long events. These include:     

Iliana has presented lecture-demonstrations on Bulgarian folk art and dances at these universities:

Iliana has also given presentations at high schools in New York, Vermont and Washington States. 

Work in other countries includes: 

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 Iliana’s repertoire of dances that she has taught to folk dancers in the USA, Europe, and Asia includes:  

Abdai, Alunelu, Arnaut, Batuta and Kalush, Belyanskata, Birindzhika, Buchimish, Cheleuna, Chereshko, Cherkezkata, Chetvorno, Chokarlana, Chukni tropni, Danke, Daylyan Vangel, Denyovata, Dobrudzhanska rachenitsa, Drama, Dunavsko horo, Dvoino horo, Dzhanguritsa, Elbasan, Eski, Glavinishka kopanitsa, Grancharsko horo, Grancharsko ot Sumer, Hairedinski abdai, Hora ot Draginovo, Hora ot Gela, Hora ot Sofronievo, Horo from Opan, Iglika, Izhvarli condak, Izruchana, Kaimya, Kalcho Ivanovata, Kalmankinata, Kamen Yano, Katarinkina, Kitchitse buina loboda, Kokoneshta, Kokorevsko horo, Kopachka, Lamba, Lazaritsa, Lekom igra, Lipensko paidushko, Lomska rachenitsa, Lyasa, Lyavo horo, Malishevsko, Mari Kalino, Marinkinata, Miziisko horo, More moma bega, Ne predi Rade, Oi Mario, Paidushko from Smyadovo, Paidushko ot Hairedin, Pal Andreevata, Petrunino, Prala Nachka, Pravo trakiisko horo, Prela baba, Provikna se Yana, Radi le, Raka, Rhodopski motivi, Ruka, Rusa, Sachovata, Sedi Donka, Sedi moma, Selsko shopsko, Sevdino oro, Shareno horo, Shirah, Shopska rachenitsa, Shopsko na poyas, Shto me dade male, Shumadia, Signa, Signa, Sin i byal zyumbyul, Sitna stareshka, Sitnata, Slivovanska balavanka, Spanato horo, Sreshtnatata, Stapil Dobri, Sumerska rachenitsa, Svornato horo, Tarambeevata, Tornala mi e Enitsa, Trakiiska rachenitsa, Trei pazashte, Trite pati from Branitsa, Tropanka, Tsonino, Turlashko horo, Tushkano horo, Varnensko horo, Trite pati ot Seliminovo, Velikdensko horo, Vetrensko horo, Ya barzai gemiiko, Yanche belo Yanche, Yove, Zaeshkata, Zhuvyatele

The music for these dances is available in a series of CDsentitled, “To the Bulgarian Folklore with Love” by Iliana Bozhanova and Lyuben Dossev.